Robert West
Contemporary British Painter
Robert West. Into the Forest No.02-0020 copy.jpg


Biography of British Contemporary Painter Robert West.

Robert West Working on the painting Series Into the Forest: Studio Shot 2014

Robert West Stood in front of Borderline Series in Progress

Robert West, as an artist, and as a man is the complete embodiment of his work. Bold, brash, exuberant and above all else confident. As a proud Northern Englishman, his roots are firmly endowed within his art, yet his ambitions are international. West aims to represent not only himself but the entire genre on a much grander scale.

Originating from a skilled working class background, the discipline of his upbringing has transferred into his artwork. After a few years of trial and error with sculpture and different painting styles, West eventually settled on abstract painting as his chosen specialty shortly after enrolling at Loughborough University in 2005. Utilizing the drip technique that was famed by Jackson Pollock, West’s paintings started to develop a voice and a feel of their own come 2007.

Blur Series: Into the Forest. No.22. 2009-2010. Oil on Canvas. 88 x 122 cm. Private Collection

Spurred on by his mentors, West began to study the works of Fiona Rae, Gerhard Richter and John Hoyland and experiment with different techniques. Utilising pallets and coarse edges, West managed to create new and diverse ways of expressing his paintings. Rather than create interesting patterns, West removes the image from the painting leaving an abstruse landscape of what there once was. Reverting us, the modern human species, back to a more natural, solitary existence, these paintings attempt to readdress our cultural understandings. Calling this the Blur Series, West has been expanding this project since 2007 coming to a close in 2014; West stating "I created the series to primarily learn the drag technique in-depth famed by Richter and develop a more dynamic approach to painting, I have done that, its time now to forge ahead to create a distinctive painting style, with this knowledge as the cornerstone to my new work Borderline and Into the Forest "Everything I do is always a move toward fulfilling my long-term objectives."

Series One: Into the Abyss. Gloss and Enamel on Canvas. 166 x 218 cm. 2007

Series One: Genesis. No.46. Gloss and Enamel on Canvas. 200 x 252.5 cm. 2011

In his quest to find a greater and more meaningful way of removing representation West began Series One also in 2007 and continues it to this day. Prior to commencing this series, West had had a discussion with a group of mathematicians who had predicted the financial meltdown of 2008. This act of soothsaying fascinated West and the paintings of this series began to focus on the inevitabilities of undefined chaos and the effects it can have on society. To look at this course of paintings, is to almost be within a dense forest of confusion and misrule. Occasionally though, you will stumble across brief pockets of calmness and rest, where everything is once again right in the world.

This sense of unrest and the loss of identity are ripe throughout West’s practice. This heterogeneous way of erasing representation has driven West into becoming an artist who is no longer interested in just the process of painting but the potential of what a painting can become. A recent upgrade in materials has allowed West to realise his potential even further and recreate on canvas the ideas that he surrounds himself in.

Wests unreserved and headstrong perseverance has allowed his abstract paintings to become an unwavering force, aiming to create a distinct and divergent body of work. Degree Art, The Sunday Times Magazine, The Other Art Fair have recognised Wests talents. Exhibitions in London, Tokyo, Los Angeles this very English Artist has a universal appeal.

Written by Greg Evans

Into the Forest. No.01. Oil on Canvas. 200 x 200 cm. 2014-Present. Work in Progress

Robert West. Abstract Painting No.77. Oil on Polyester. 2017-2018

In late 2013-2014 Borderline and Into the Forest Painting Series were born. West's searching for something that was reflective of the now seems to be over. These series are concerned with forging a distinctive visual language in both abstraction and representational painting. 
West has amassed a catalogue of technical proficiency that I believe will enable him to realise these grande and compelling ideas. Both lines of work look poised for something perhaps even bolder than West had thought. He has taken a step back from exhibiting and has been solely focusing on developing Into the Forest and Borderline Series for the foreseeable future.